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A Taste of Pasadena, California

did you know?
DID YOU KNOW THESE FACTS ABOUT PASADENA?

  1. Pasadena is a city in Los Angeles County, California, United States. As of 2010 United States Census, the population of Pasadena was 137,122.

  2. Although famous for hosting the annual Rose Bowl football game and Tournament of Roses Parade, Pasadena is the home to many scientific and cultural institutions, including the California Institute of Technology, the Jet Propulsion Laboratory, Pasadena City College, Fuller Theological Seminary, Art Center College of Design, the Pasadena Playhouse, Le Cordon Bleu School of Culinary Arts-Pasadena, the Norton Simon Museum of Art and the Pacific Asia Museum.

  3. The wettest year was 1983 with 48.47 inches and the driest year was 1947 with 5.37 inches. The most rainfall in one month was 19.70 inches in February 1980. The most rainfall in 24 hours was 7.70 inches on March 2, 1938. Pasadena averages 21 inches of rain a year, about 6 inches more than nearby Los Angeles due to the rain shadow effect created by the San Gabriel Mountains. Situated at the base of the San Gabriel Mountains, snow is known to fall occasionally in Pasadena. The heaviest snowfall in Pasadena history occurred on January 11, 1949; 6 inches fell at Pasadena's city hall and more than 12 inches fell in the foothills of the city.

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KTYM 1460 AM Inglewood, CA Gospel Music

http://creativecommons.org/licenses/by-sa/3.0/
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Demographics of Pasadena, California

By Race

White

Black

Native American

Asian

Hispanic

Total Population

55.8%

10.7%

0.6%

14.3%

33.7%

Because Hispanics could be counted in other races, the totals above could possibly be more than 100%. If you would like a detailed listing of all ethnic groups in the U.S., please Click Here.

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submitted articles

THE PASADENA PLAYHOUSE AND LYTHGOE FAMILY PRODUCTIONS

PANTO AT THE PLAYHOUSE’S

SLEEPING BEAUTY AND HER WINTER KNIGHT


- CAST WILL FEATURE

OLIVIA HOLT OF DISNEY’S “I DIDN’T DO IT”

LUCY LAWLESS OF “XENA: WARRIOR PRINCESS”

DAVID ENGEL OF BROADWAY’S “LA CAGE AUX FOLLES”

TAMYRA GRAY OF BROADWAY’S “BOMBAY DREAMS”

BEN GIROUX OF CW’S “HART OF DIXIE”

DECEMBER 10, 2014 – JANUARY 4, 2015 -


SLEEPING BEAUTY AND HER WINTER KNIGHT
CAST - SLEEPING BEAUTY AND HER WINTER KNIGHT


PASADENA, CA (October 21, 2014) – The Pasadena Playhouse (Sheldon Epps, Artistic Director and Elizabeth Doran, Executive Director) and Lythgoe Family Productions (LFP) announce cast members for this year’s Panto at the Playhouse SLEEPING BEAUTY AND HER WINTER KNIGHT. The cast will feature Disney Recording Artist Olivia Holt as “Aurora” (Disney’s “I Didn’t Do It”), Lucy Lawless as “Carabosse” (“Xena: Warrior Princess,” “Spartacus”), David Engel as “Nanny Tickle” (Broadway’s “La Cage aux Folles,” “Seussical”), Tamyra Gray as “The Good Fairy” (“American Idol,” Broadway’s “Bombay Dreams” and “Rent”) and returning from last year’s Panto at the Playhouse production of Aladdin and His Winter Wish, Ben Giroux as “Silly Billy” (CW’s “Hart of Dixie).

SLEEPING BEAUTY and Her Winter Knight opens December 10, 2014 and plays through January 4, 2015 at The Pasadena Playhouse.

Also returning from last year’s hugely successful Panto at The Playhouse production of Aladdin and His Winter Wish, will be director Bonnie Lythgoe (“So You Think You Can Dance”), choreographer Spencer Liff (Emmy nominee “So You Think You Can Dance”) and musical director Michael Orland (“American Idol”). The book is by Kris Lythgoe, scenic and costume design by Lythgoe Family Productions, and the LFP producers include Kris Lythgoe, Bonnie Lythgoe, Becky Lythgoe and Jason Haigh Ellery.

Lythgoe Family Productions produces fun, musical theatre the whole family can enjoy. Known for their creativity and involvement in television hits “American Idol” and “So You Think You Can Dance,” the Lythgoes are dedicated to bringing affordable theatre to families across America. Based on the Grimm fairytales, each story has been modernized with topical scripts for parents and well known pop songs for kids. The Lythgoes pride themselves on creating a memorable experience a family can share together. Past Panto at The Playhouse productions include: A Snow White Christmas starring Ariana Grande and Neil Patrick Harris and Aladdin and His Winter Wish starring Ben Vereen, Bruce Vilanch, and Ashley Argota.

Playhouse Artistic Director Sheldon Epps says "I am very pleased to continue our much cherished collaboration with Lythgoe Family Productions with this year's exciting panto version of SLEEPING BEAUTY. I know that we will once more have holiday magic, music, and enchantment on our stage with this production. We are beginning to put together a wonderful cast and creative team that I know will deliver this material with great style, wit, and theatricality."

"We are so excited to be back for our third installment of Panto at The Playhouse! We continue our drive and passion, along with Sheldon Epps and Elizabeth Doran, to introduce new and young audiences to the theatre through Panto. With such a great cast, SLEEPING BEAUTY and Her Winter Knight is set to become the most successful Panto yet. The must see magical event for families this holiday season,” adds LFP producers Kris and Becky Lythgoe.

An updated version of the classic Grimm fairytale, in the style of a traditional British family Panto, SLEEPING BEAUTY and Her Winter Knight is a singing and soaring winter adventure that features family-friendly magic, with a comedic twist, dancing (with “So You Think You Can Dance” alumni), a live pony, interaction with the audience and contemporary music from Jessie J's "Domino" to John Legend's "All Of Me,” Pharrell Williams "Happy" to Survivor's "Eye of The Tiger" and more. A Panto is known for its interactive style and humor that appeals to everyone from ages 2 – 102! “Those who have never been to a panto will have a glorious introduction to the forum.” – Los Angeles Times.

Before every performance, guests and their families are invited to enjoy a “Winter Wonderland” event in The Playhouse’s Engemann Family Courtyard, complete with holiday carolers, crafts, activities, games, Santa Claus and photo opportunities.

SLEEPING BEAUTY and Her Winter Knight will play from December 10, 2014 – January 4, 2015. The Pasadena Playhouse is located at 39 South El Molino Avenue, Pasadena, CA 91101. The performance schedule is Monday at 7:30 p.m. (Dec. 29 only); Tuesdays – Fridays at 7:30 p.m.; Saturdays at 12:00 p.m., 4:00 p.m. and 7:30 p.m.; and Sundays at 12:00 a.m. and 4:00 p.m.; Special matinees -- Wednesday, December 24 at 4:00 pm; Friday, December 26 at 4:00 pm; Tuesday, December 30 at 4:00 pm.

Tickets are available by calling The Pasadena Playhouse at 626-356-7529, online 24 hours a day at www.PasadenaPlayhouse.org, or by visiting The Pasadena Playhouse Box Office, Tuesday – Sunday from 12:00 p.m. until 6:00 p.m. during non-performance dates. On performance dates the Box Office is open Tuesday – Saturday from 12:00 p.m. – 8:00 p.m. and 12:00 p.m. – 7:00 p.m. on Sunday.

Tickets for SLEEPING BEAUTY and Her Winter Knight range from $34.00 - $74.00, with Premium Seating available for $125.00. Child single tickets are available for Rear Orchestra and Rear Mezzanine seating ranging from $24.00 - $64.00.

Golden Tickets are available for an additional $50.00 each and are limited to 10 Golden Tickets per performance. A Golden Ticket allows the ticketholder (children only) a special on-stage experience during the production.

Service and theatre restoration fees apply to all purchases. Group Sales (8 or more) are available by calling 626-921-1161.

Calendar listing for SLEEPING BEAUTY and Her Winter Knight at The Pasadena Playhouse

Venue: The Pasadena Playhouse, 39 South El Molino Avenue, Pasadena CA 91101

Dates: Wednesday, December 10, 2014 – Sunday, January 4, 2015

Playing Monday, December 29 at 7:30; Tuesdays – Fridays at 7:30 pm

Schedule: Saturdays at 12:00 pm, 4:00 pm, and 7:30 pm; Sundays at 12:00 pm and 4:00 pm

Special matinees -- Wednesday, December 24 at 4:00 pm; Friday, December 26 at 4:00 pm; Tuesday, December 30 at 4:00 pm

Tickets: Online sales and information -- www.PasadenaPlayhouse.org

Phone -- 626-356-7529

In Person -- On non-performance dates, the Box Office is open Tuesday – Sunday from 12:00 p.m. until 6:00 p.m. On performance dates, the Box Office is open Tuesday – Saturday from 12:00 p.m. – 8:00 p.m. and 12:00 p.m. – 7:00 p.m. on Sunday.

Prices -- $39.00 - 74.00, plus Premium

Child Rear Orchestra and Rear Mezzanine $24.00 - 64.00

Golden Tickets are available for an additional $50.00 each (limited to 10 Golden Tickets per performance). A Golden Ticket allows the ticketholder (children only) a special on-stage experience during the production.

Service and theatre restoration fees apply to all purchases.

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Disclaimer
The articles on this site are provided as a public service and to be used for information purposes only. BlackCityinfo.com does not accept any responsibility or liability for the use or misuse of the article content. Use at your own risk.

No Endorsement:
BlackCityinfo.com does not endorse or recommend any article on this site or any product, service or information found within said articles. Resources and links included in said articles are only suggested as sources for further exploration, but we cannot vouch for or take responsibility for information contained in these resources. The opinions and views of the authors who have submitted articles to BlackCityinfo.com belong to them alone and do not necessarily reflect the views of BlackCityinfo.com.


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submitted articles

A Moment with Sabrina Elayne Carten and Kimberly Yarbrough Cast Members of the Hit Show “One Night With Janis Joplin” at The Pasadena Playhouse
By: Katrina Nairne

The music and artists represented in One Night With Janis Joplin have influenced both Sabrina Elayne Carten, playing the “Blues Singer” in the production, and Kimberly Yarbrough, playing a “Joplinaire” and alternate performer for the “Blues Singer,” personally. One Night With Janis Joplin is a theatrical concert event that transports the audience back to the late 60s for a live show with the legendary rock icon, Janis Joplin, celebrating her music and spirit for one short evening.

Kimberly Yarbrough
Kimberly Yarbrough (Photo by Jim Cox)


“I have always loved music and listened to various artists and styles. The music of the '60s and '70s was some of my favorites from Motown, to Staxx, to psychedelic rock. The music of Joplin, Hendrix, Franklin among my favorites,” shares the classically trained vocalist and actress Sabrina Elayne Carten. “When I got the role of the ‘Blues Singer’ I began to listen not just to Odetta, Nina, Aretha and Bessie but to Dinah Washington, Big Momma Thornton and Billie Holiday too. In order to better understand the style, the phrasing and also the history of these artists and the times.”

“From the time I was a child, any time I ever saw any footage of Janis Joplin performing, I was always spellbound. I really didn't know how to process all that passion and intensity as a child, I just knew I wanted some of that,” Kim Yarbrough reflects. Being from Memphis, Tennessee, I cut my teeth on the blues, so I feel very close to the music in this show, and all of its roots. Singing this music feels natural to me, like I've been doing it my entire life . . . because I have.”

Sabrina Elayne Carten, having been with One Night With Janis Joplin since its premiere in Portland, Oregon, has witnessed amazing development that has both strengthened the show, making the experience even more powerful. While Carten had the opportunity to be a part of this development, she found that some of the most dynamic changes were the tightening of dialogue, as well as the addition of duets, and the polishing of “Spirit in The Dark,” the show-stopping number that ends Act One. Contrastingly, Kim Yarbrough (a finalist on NBC’s hit show “The Voice,” had the exciting chance to become a part of this breathtaking production after it had already performed to sold-out crowds in Portland, Cleveland and Washington, D.C.. Yarbrough shared that “it's nice to be on a moving train—and a fast moving one, I might add.”

Sabrina Elayne Carten
Sabrina Elayne Carten as the Blues Singer (Photo by Jim Cox)


Carten believes she has been fortunate enough to see, first-hand, while working on One Night With Janis Joplin that “in all honesty music can take many forms, but it still has to be cherished and respected. Joplin did just that; as these women inspired her she maintained a respect for the music and added her I own style and personality. She didn't try to copy or imitate.” She continued that “in doing this role I strive to be true to the music—but not imitate these phenomenal women—by adding my own personality, while staying true to the styling of the various periods.”

A particularly significant aspect of One Night With Janis Joplin is “that you discover so much about Janis, the ‘person,’ not the ‘personality and the fable.’ This show humanizes a legend,” Yarbrough explains. “Prior to being a part of this show, I had no idea that Janis was influenced by so many African American female singers. You feel it in her soul when she sings, but knowing it was a fact makes me look at Janis so differently now. I would have loved to have known her personally.” A quality production is one that leaves its audience longing for more, let alone its cast.

Both Carten and Yarbrough personally connect with the music put forth by Janis and the inspiring blues singers emulated in One Night With Janis Joplin. Carten explains, “what inspires me most about these women is the fact that they were all trailblazers. They were not afraid to take musical risks. They took those risks with lyrics, fashion and political ideas.” Yarbrough’s stance on the effect these powerhouse women had on society parallels Carten’s in many ways.

Yarbrough informs us that, “in a time when Civil Rights was new territory, what these women had to say was not just the soundtrack to the movement; it pushed the movement along. It was also the beginning of the end of a time when the most the average woman could hope for was to live in the shadow of her husband. I believe the songs that these women sang made the world sit up and take notice, because they effectively said, “Look! You too can have an opinion that is your own!” However, Yarbrough does not believe “these singers were thinking about making an impact on society. I believe they were just expressing the music in them. They had to, no matter what. It was a calling-- some kind of compelling drive to say what they had to say through their songs.”

Both of these awe-inspiring performers are extremely grateful to be a part of the brilliant production, One Night With Janis Joplin. Both also value the historical significance these artistically endowed women had on, not only the music of their time, but the societal shifts as well. The production’s remarkable cast put great value in the historical significance of the extraordinarily talented women honored through this superb journey through a magnificent era of our nation’s musical history.

Carten recognizes the magnificence of the production she is a part of, helping the nation to remember its musical diversity; “this is such an incredible show, I am awestruck by its message and the way the audiences have received it. I'm grateful to have my talents and feelings channeled into it.”

Yarbrough remembers her childhood, idolizing these women as she grew up in the era being showcased: “I am most grateful that I get to tell my own story about that entire era. I lived it, so I feel so blessed that I get to share my own interpretation about what it was like growing up, watching Janis Joplin skyrocket from obscurity to a household name in a matter of what seemed like minutes.”

One Night With Janis Joplin is not only a production for Janis Joplin fans, but for all lovers of the particular musical eras showcased. This production transports patrons of The Pasadena Playhouse, as well as across the nation, to a span of time in history considered relevant in today’s society.

“Music, from its very beginning, has been the greatest voice of every generation,” states Carten. “Come and see a radical moment in American music. You will leave energized, amazed and just maybe a fan.”

"You would not believe the impact that African American women like Aretha Franklin, Etta James and Nina Simone had on Janis Joplin. That is all shown in this show,” explains Yarbrough. “It's not just Janis Joplin singing her songs. It shows the history of how Janis came to make these songs her own after being inspired by them. You get to tie all the pieces together and really know what an incredible artist Janis really was, and how her influences were larger than life themselves. This show is not just about Janis Joplin. It's also about YOU."”

One Night With Janis Joplin is a production that allows us all to step back, and enjoy a night remembrance for an era of immense musical and historical significance. “I hope that they see our joy and camaraderie on stage, and that their appreciation for this show inspires them to support local and national live theater,” Carten says of the patrons who will enjoy this national tour.

“The biggest kick I get each evening is looking out into the audience and seeing the reactions of pure joy on the faces that remember the songs of their youth,” gleams Yarbrough. “Those looks are priceless and I will never forget them. I hope we continue to provide that joy for everyone that occupies a seat during our run at the Pasadena Playhouse.”

One Night With Janis Joplin, written and directed by Randy Johnson, is a full on concert experience and musical journey into the life and inspirations of one of rock ‘n’ roll’s greatest legends. This outstanding musical also shines a spotlight on the great African American blues artists who influenced Janis’ musical style and career, including Bessie Smith, Etta James and Aretha Franklin. This new musical event features Joplin hits and classic songs such as “Piece of My Heart,” “Mercedes Benz,” “Me and Bobby McGee,” “Ball and Chain” and “Summertime” with a live on stage band – creating a compelling portrait of an artist through the words and music of one of America’s greatest Rock ‘n’ Roll icons.


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Submissions on this website are provided for information purposes only. BlackCityinfo.com does not accept any responsibility or liability for the use or misuse of the article, submissions content on this site or reliance by any person on the site's contents. Use at your own risk.

No Implied Endorsement:
BlackCityinfo.com does not endorse or recommend any article, submission on this site or any product, service or information found within said articles, submissions. The views and opinions of the authors who have submitted articles to BlackCityinfo.com belong to them alone and do not necessarily reflect the views of BlackCityinfo.com.

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Famous Blacks from Pasadena, California

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Businesses in Pasadena, California


A small percentage of the businesses listed on BlackCityInfo.com may not necessarily be black owned and operated but have received favorable reviews from users who have visited the establishment, or from the owners themselves who warmly seek out African American patronage.


BEAUTY CARE - HAIR SALONS - MULTICULTURAL

  1. All In One Day Spa -  Category: Spa -  2059 Lincoln Avenue Pasadena, CA 91103 (626) 798-6000 or (626) 215-2322

  2. Braids by Antoinette -  Category: Black Hair Braider -  1219 N Fair Oaks Ave Pasadena, CA 91103-2574 (866) 429-4416

  3. Calla Salon -  Category: Black Hair Salon -  911 E. Union Ave. Pasadena, CA (626) 466-5384

  4. Color Cut (Neeko) -  Category: Black Hair Salons -   761 East Greene St. Suite #1, Pasadena, Ca 91101 (626) 795-8856

  5. Shea Butter and Beyond -  Category: Beauty -  We sell only the best Shea Butter your skin will love. We only sell unrefined Shea Butter for all our products, in hopes to give your skin the healthy glow it deserves!   - 115 W California Blvd #108 Pasadena, Ca

  6. Shelly Mays - Braider -  Category: Black Hair Braider -  Also sisterlocks and locks and twist.   - Pasadena, Ca (626) 791-5203

  7. Tangles Pasadena -  Category: Black Hair Salon -  145 W. Green St. Pasadena, CA

  8. X-Pressions Hair Studio -  Category: Black Hair Salon -  1507 N. Lake Ave. Pasadena, CA (626) 296-8400

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BLACK BUSINESSES - SERVICES - VENDORS ETC.

  1. Alkebu-lan Cultural Center -  Category: Cultural Center-  1435 N. Raymond Avenue Pasadena , CA 91103 (626) 794-9570   - (visit website)

  2. D.R. Valentine & Associates, Inc. -  Wedding and Event Planner, Interior Design, Custom Invitations -  650 South Raymond Ave. Pasadena CA 91105 (626) 395-0346   - (visit website)

  3. Girlfriends Medical Group, Inc. -  Category: Obstetrics & Gynecology -  301 S. Fair Oaks Ave. Pasadena, CA 91105 (626) 793-5250

  4. IronWood Corner -  Category: African American Bookstores-  462 Toolen Place Pasadena, CA. 91103 - (818)398-5539

  5. Maurice Wright -  Category: Realtor -  445 S.Fair Oaks Ave. Pasadena, California (626) 204-3300

  6. Millennium Therapy Inc -  Category: Speech Pathology -  30 N Raymond Ave. Pasadena, CA 91103 (818) 566-3888

  7. Poole Mansfeld Rosenberg Law Office -  Category: Legal/Financial-  234 E Colo Ave Ste 620 Pasadena, CA 91101 (626) 683-1311

  8. San Gabrial Valley Journal -  Category: African American Newspaper-  (626) 798-3972 Pasadena, CA.   - (visit website)

  9. The Pasadena Playhouse -  Category: Entertainment-  Built on a tradition of innovation and excellence, The Pasadena Playhouse is committed to continue to be the premiere theatrical experience in Southern California showcasing the most exciting theatrical entertainment in the state and being an amazing forum for launching new work onto the national stage.   - 39 South El Molino Ave. Pasadena, CA. (626) 792-8672   - (visit website)

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RECREATION - SPORT

  1. Snowbusters Ski Club -  Category: Black Ski Club-  P.O. Box 90551 Pasadena, CA 91109   - (visit website)

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DINING - CATERING - BBQ - SOUL FOOD

  1. Big Mama's Rib Shack -  Category: Soul Food Restaurants -   1453 North Lake Avenue, Pasadena, CA 91104-2302 (626) 797-1792   - (visit website)

  2. Roscoe's House of Chicken' N Waffles -  Category: Soul Food Restaurants -   830 North Lake Avenue, Pasadena, CA 91104-4560 (626) 791-4890   - (visit website)

  3. SoulPlantation -  Category: Soul Food -  201 Lake Ave. Pasadena, California (626) 577-4798

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CITY VIDEO CONNECTION


Framed by the awe-inspiring Jackie Robinson & Mack Robinson Memorial in Pasadena, California, "Turner's Two Cents" columnist Cameron Turner tells why Black History Month should be an exiciting, unifying time for all Americans.

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black/african american special events

SOUTH COAST REPERTORY’S THE WHIPPING MAN SET FOR THE PASADENA PLAYHOUSE 2014-2015 SEASON

THE WHIPPING MAN


PASADENA, CA (October 24, 2014) – The Pasadena Playhouse (Sheldon Epps, Artistic Director and Elizabeth Doran Executive Director) announced that they will present Matthew Lopez’s multi-award winning play THE WHIPPING MAN, which will replace the previously announced production of William Gibson’s TWO FOR THE SEESAW as the fourth production of the 2014-2015 season. THE WHIPPING MAN is produced in association with South Coast Repertory, where the show will play January 4-25, 2015, and then transfer to The Pasadena Playhouse February 3 - March 1, 2015 with a press opening on February 4.

Sheldon Epps, Artistic Director of The Pasadena Playhouse, said "I am very pleased that we will once again be working in collaboration with our highly respected colleagues at South Coast Repertory to present THE WHIPPING MAN, a play which I have had under consideration for our season for quite some time. This play, one of the most frequently produced works in contemporary American Theatre, is beautifully written, a perfect play for actors, and its themes fall so well into our ongoing diversity initiatives.”

Elizabeth Doran, Executive Director of The Pasadena Playhouse, says, "The Pasadena Playhouse is pleased to partner with the esteemed South Coast Repertory once again with this production of THE WHIPPING MAN . As with our most recent partnership in 2012 when we presented SCR's Jitney, this kind of collaboration deepens the artistic experience for the artists, and broadens the audiences who ultimately receive the work. As was the case in bringing Stoneface from Sacred Fools' to our mainstage in 2013, we value partnerships like these with our peer theatres. They feed our community's cultural ecosystem by sustaining artists and broadening community dialogue through the telling and retelling of great stories on our stages."”

South Coast Repertory’s production of THE WHIPPING MAN is directed by Martin Benson. Stage and television star Charlie Robinson plays Simon in this Obie Award-winning drama The New York Times proclaimed “haunting and powerful.” South Coast Repertory describes THE WHIPPING MAN as follows: The Civil War has ended, leaving destruction in its wake. As a raging storm illuminates what’s left of a once majestic plantation home, three Jewish men prepare for Passover—the owner’s son, and his family’s former slaves. Only one of them, Simon, remains strong in his faith, but it is threatened with truths about what happened in this house—and in their lives—during its antebellum days. Full casting and the creative team for THE WHIPPING MAN will be announced at a later date.

Matthew Lopez is the author of THE WHIPPING MAN, one of the most widely produced new American plays of the last several years. It premiered at Luna Stage in Montclair, NJ, had its New York debut at Manhattan Theatre Club in a production directed by Doug Hughes and featuring Andre Braugher. The sold-out production extended four times—ultimately running 101 performances off-Broadway—and garnered Obie and Lucille Lortel Awards. Lopez was awarded the John Gassner New Play Award from the New York Outer Critics Circle for the play. Since then, THE WHIPPING MAN has had more than 40 productions worldwide. Lopez's play Somewhere has been produced at The Old Globe, TheatreWorks in Palo Alto and most recently at Hartford Stage Company, where his play Reverberation will receive its world premiere in 2015. His newest play, The Legend of Georgia McBride, premiered earlier this year at the Denver Theatre Center for the Performing Arts. His play The Sentinels premiered in London at Headlong Theatre Company in 2011. Lopez currently holds new play commissions from Roundabout Theatre Company, Manhattan Theatre Club, Hartford Stage, and South Coast Repertory. He was a staff writer on HBO’s “The Newsroom” and is currently adapting Javier Marias’ trilogy Your Face Tomorrow for the screen.

The Pasadena Playhouse is located at 39 South El Molino Avenue, Pasadena, CA 91101. Single tickets for THE WHIPPING MAN are $30.00 - $75.00 with premiere seating priced at $125.00. Single tickets and subscriptions are available online at PasadenaPlayhouse.org, by calling the Box Office at 626-356-7529 or by visiting The Pasadena Playhouse Box Office. The box office phone lines are open Monday-Friday 12:00 pm -6:00 pm, and Saturday and Sunday from 1:00 pm -6:00 pm on non-performance dates. The windows are open from Monday-Sunday 12:30 pm -6:00 pm on non-performance dates. On performance dates the box office windows are open Monday from 12:30 pm - 6:00 pm and Tuesday-Saturday 12:30 pm -8:00 pm, and Sunday from 12:30 pm -7:00 pm. For groups of 8 or more call 626-921-1161.

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Disclaimer
The articles on this site are provided as a public service and to be used for information purposes only. BlackCityinfo.com does not accept any responsibility or liability for the use or misuse of the article content. Use at your own risk.

No Endorsement:
BlackCityinfo.com does not endorse or recommend any article on this site or any product, service or information found within said articles. Resources and links included in said articles are only suggested as sources for further exploration, but we cannot vouch for or take responsibility for information contained in these resources. The opinions and views of the authors who have submitted articles to BlackCityinfo.com belong to them alone and do not necessarily reflect the views of BlackCityinfo.com.




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black/african american special events

THE PASADENA PLAYHOUSE Announces the Cast for STOP KISS

By Diana Son
Starring
Sharon Leal and Angela Lin

With
John Sloan, Brandon Scott, Amanda Carlin and Jeff De Serrano

Directed by Seema Sueko
Sueko to Make Playhouse Directorial Debut

November 4-30, 2014

at The Pasadena Playhouse

Sharon Leal
Photo Credit: Frankie Batista


PASADENA, CA (September 11, 2014) – The Pasadena Playhouse (Sheldon Epps, Artistic Director and Elizabeth Doran, Executive Director) announces the cast of STOP KISS, the second production of its 2014-2015 Season. Written by Diana Son and directed by Pasadena Playhouse Associate Artistic Director Seema Sueko, STOP KISS stars Sharon Leal (Bill Condon’s Dreamgirls, Fox’s “Boston Public,” and Lionsgate’s Addicted), Angela Lin (Broadway’s Chinglish), John Sloan (Fox’s “Happy Hour”), Brandon Scott (ABC’s “Grey’s Anatomy”), Amanda Carlin (Liar Liar), and Jeff De Serrano (A&E’s “Longmire”). The production is performed November 4 – 30, 2014 with the official press night on Wednesday, November 9, 2014.

Sheldon Epps, Artistic Director of The Pasadena Playhouse says, “I am thrilled that Seema is making her PLAYHOUSE directorial debut with this provocative and still timely play. I feel certain that she and her sterling cast will strongly deliver this stimulating experience with theatrical verve and great power.”

STOP KISS Director Seema Sueko says “STOP KISS is a play that succeeds on the talent of the actors -- their abilities to capture the nuance and comedy of a growing attraction, the complexity of the aftermath of a trauma, and the joy of discovering one’s voice. We have, in this cast, deeply talented actors who have what it takes to bounce Diana Son’s text through the roof. I’m honored to work with them.”

STOP KISS marks The Playhouse directorial debut of Seema Sueko, who joined The Playhouse staff in January 2014. Originally produced Off-Broadway at The Public Theater, with a cast including Sandra Oh and Jessica Hecht, this critically acclaimed play received the GLAAD Media Award for Best New York Production. STOP KISS tells the story of Sara and Callie, who are walking through New York City's West Village late at night when they share their first kiss. This leads to a vicious attack by an angry bystander, in which Sara is horribly injured. Throughout STOP KISS, relationships are explored, formed, and even ended. Diana Son elaborates on the depths of human emotion and compassion.

The cast of STOP KISS includes Sharon Leal as Sara, Angela Lin as Callie, John Sloan as George, Amanda Carlin as Mrs. Winsley/Nurse, Brandon Scott as Peter and Jeff de Serrano as Detective Cole.

STOP KISS will play November 4, 2014 through November 30 with the official press opening on November 9. The Pasadena Playhouse is located at 39 South El Molino Avenue, Pasadena, CA 91101. The performance schedule is Tuesday through Friday at 8:00 p.m.; Saturday at 4:00 p.m. and 8:00 p.m.; and Sunday at 2:00 p.m. and 7:00 p.m. Tickets, priced from $45.00 to $75.00, plus premium seats at $125.00, are available online at PasadenaPlayhouse.org; by calling The Pasadena Playhouse at 626-356-7529; or visiting The Pasadena Playhouse Box Office, Tuesday – Sunday from 1:00 p.m. until 6:00 p.m. during non-performance dates. On performance dates the Box Office is open Tuesday – Saturday from 1:00 p.m. – 8:00 p.m. and 1:00 p.m. – 7:00 p.m. on Sunday. For more information, visit PasadenaPlayhouse.org.

BIOGRAPHIES
Seema Sueko (Director) joined The Pasadena Playhouse staff in January 2014 as Associate Artistic Director. For the past nine years, she served as the Executive Artistic Director of Mo`olelo Performing Arts Company, a community focused, socially conscious Equity theatre company she cofounded in San Diego. In addition to directing at Mo`olelo, Seema developed Mo`olelo’s greening initiative and consensus organizing methodologies. She led the company to its selection as the inaugural Resident Theatre Company at La Jolla Playhouse and to awards from the American Theatre Wing, the National Endowment for the Arts, Actors’ Equity Association, and the N.A.A.C.P. San Diego Branch, among others. Other directing and acting credits include The Old Globe, Yale Repertory Theatre, 5th Avenue Theatre, Indiana Repertory Theatre, San Diego Repertory Theatre, and Native Voices at The Autry, among others. She was the recipient of the inaugural Leadership U[niversity] grant from Theatre Communications Group/The Andrew W. Mellon Foundation, which took her to Arena Stage in 2013 as a Visiting Artistic Associate in mentorship with Molly Smith. She holds an M.A. in International Relations from the University of Chicago.

Diana Son (Playwright) is the author of the plays Stop Kiss, Satellites, BOY, R.A.W. ('Cause I'm a Woman) and others. Stop Kiss and Satellites premiered at the Public Theater in NYC. Stop Kiss won the GLAAD Media Award for Best New York Production and Ms. Son won the Berilla Kerr Award for playwriting, the NEA/TCG Residency grant at the Mark Taper Forum and a Brooks Atkinson Fellowship at the Royal National Theatre in London. Her works have been produced at La Jolla Playhouse, Seattle Rep, Oregon Shakespeare Festival, Woolly Mammoth and others. Son has also written several short stories and her works of fiction have been published in such magazines as Asian Pacific American Journal. Son also belongs to a number of organizations, including the Dramatists Guild of America, Women in Theatre and the Writers Guild of America, East. In addition, she is an alumna of New Dramatists. Diana Son is also a television producer and writer, with credits including “Law and Order: Criminal Intent,” “Southland,” “Blue Bloods“ and “The West Wing.”

Sharon Leal (Sara) began singing at an early age and later discovered her passion for acting while attending performing arts high school. Her professional career began in regional theater productions of Ain't Misbehavin', Into the Woods, and Little Shop of Horrors. Soon thereafter, Leal moved to New York and landed major roles on Broadway in Miss Saigon and Rent. Leal went on to star in the original musical, Bright Lights Big City, at the New York Theater Workshop, and was also featured on the production's soundtrack. While in New York, she staged cabarets and continued to hone her skills when she produced an original production of Stormy Weather at the Manhattan Theatre Club, in which she starred as the legendary Lena Horne. From the New York stage, Sharon easily transitioned into television and film. Her television credits include a series regular role on CW's “Hellcats” and four seasons on David E. Kelley's hit FOX drama, “Boston Public.” Her guest starring roles include episodes of “Suits”, “Perception”, “Person Of Interest” and "CSI: Miami." She also had recurring roles on NBC's “Grimm”, and ABC's "Private Practice" as Sonya, the love interest to Taye Diggs' character. In 2006, Sharon received international attention as a co-star of the Golden Globe Award-winning blockbuster film, Dreamgirls, opposite Beyonce Knowles, Jamie Foxx and Eddie Murphy. She portrayed Michelle Morris, the singer that replaced Effie White (played by Academy Award winner Jennifer Hudson) in the female trio, The Dreams. In Dreamgirls, Sharon showcased her remarkable vocal skills and was heard on the popular movie soundtrack.

Quickly named one of Entertainment Weekly's "Breakout Stars”, Sharon soared into the stratosphere as the star of two highly successful ensemble films; the #1 box office hit, Why Did I Get Married?, with Tyler Perry, Janet Jackson and Jill Scott, and the popular holiday feature, This Christmas, alongside Idris Elba, Regina King and Chris Brown. Her performance in the latter project won her the 2008 Asian Excellence Award for Outstanding Film Actress. Sharon starred with Samuel L. Jackson and the late Bernie Mac in the 2008 musical feature film, Soul Men. In 2010, she reprised her role in the highly-anticipated sequel, Why Did I Get Married Too? which grossed over $60 million at the domestic box office. Her independent film credits include Woman thou Art loosed:On the 7th Day opposite Blair Underwood, Carry Me Home opposite Academy Award Winner Cuba Gooding Jr and William Sadler, and a smash hit at 2013’s Toronto Film Festival titled 1982. Up next, she stars in Addicted, the highly-anticipated film for Lionsgate where Sharon steps into a risky role as a sex addict.

Angela Lin (Callie) has appeared in the Broadway productions of David Henry Hwang’s Chinglish, Top Girls, and Coram Boy. Off-Broadway, Angela Lin has appeared in Takarazuka!!! at Clubbed Thumb, Crane Story at The Playwrights Realm, and Jordan Harrison’s Futura at National Asian American Theater Co, among others. Regionally, she has appeared in Chinglish at The Goodman, American Hwangap at The Magic Theatre, and Donald Margulies’ Shipwrecked! at Long Wharf Theatre, among others. Her television credits include “Two and a Half Men,” “Grey’s Anatomy,” “Blue Bloods,” and “The Good Wife.”

Calendar Listing for Stop Kiss

The Pasadena Playhouse

Dates: Tuesday November 4 through Sunday, November 30

Sunday, November 9 at 5:00 p.m. – Press Opening

Playing Tuesday through Friday evenings at 8:00 p.m.

Schedule: Saturdays at 4:00 p.m. and 8:00 p.m.

Sundays at 2:00 p.m. and 7:00 p.m.

Special Talkback Tuesdays – November 11, 17 and 25, following the 8:00 p.m. performance

Events: Post-Show Discussion – November 23, following the 2:00 p.m. performance

Prices: $45.00 to $75.00 plus premium seating at $125.00

Venue: The Pasadena Playhouse, 39 South El Molino Avenue, Pasadena CA 91101

Tickets: Online sales and information: PasadenaPlayhouse.org Phone: 626-356-7529

In Person: On non-performance dates, the Box Office is open Tuesday – Sunday from 1:00 p.m. until 6:00 p.m. On performance dates, the Box Office is open Tuesday – Saturday from 1:00 p.m. – 8:00 p.m. and 1:00 p.m. – 7:00 p.m. on Sunday

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Disclaimer
The articles on this site are provided as a public service and to be used for information purposes only. BlackCityinfo.com does not accept any responsibility or liability for the use or misuse of the article content. Use at your own risk.

No Endorsement:
BlackCityinfo.com does not endorse or recommend any article on this site or any product, service or information found within said articles. Resources and links included in said articles are only suggested as sources for further exploration, but we cannot vouch for or take responsibility for information contained in these resources. The opinions and views of the authors who have submitted articles to BlackCityinfo.com belong to them alone and do not necessarily reflect the views of BlackCityinfo.com.




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CHURCHES



  1. Deliverance Tabernacle C.O.G.I.C. -  1299 Sunset, Pasadena, CA 91004 (626) 794-5734

  2. First Ame Church -  1700 North Raymond Avenue, Pasadena, CA 91103-1837 (626) 797-1257

  3. Friendship Baptist Church -  80 W. Dayton Avenue, Pasadena CA 91105 (626) 793-1062  - (visit website)

  4. Holy Assembly Church of God in Christ -  55 East Villa Street, Pasadena, CA 91103 (626) 792-4810  - (visit website)

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ENTERTAINMENT



  1. Noor Sofia Lounge -  Category: Live Jazz -   260 E. Colorado Blvd. Pasadena, CA 91101 (626) 793-4518  - (visit website)

  2. The Terrace -  Category: Music Venues, Bars, Venues & Event Spaces -   443 E Colorado Blvd. Pasadena, CA 91101 (626) 796-3030  - (visit website)
    The Terrace Club


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ANNUAL EVENTS



  1. An Evening with Stars
    (September)   Annual star studded event in Pasadena, California   - (visit website)

    Fabulous performances all in the name of education.


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SCHOOLS

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